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Hollywood and Michael Bay pay their greatest homage to communist China in their latest adaptation of the Hasbro slave-labor toy line. Poisonous plastic action figures are farmed out of Chinese child labor camps as fast as the next Transformers movie.

Transformers: Age of Extinction  is no exemption, clocking in over 2 hours and 45 minutes of epileptic seizure inducing CGI. Mark Wahlberg actually “acts” in this one against the backdrop of Texas and Hong Kong. But a computer generated nightmare of this magnitude requires groveling at the feet of their communist masters, and Hollywood goes over the top to pay for this installment’s $200+ million budget.

Synopsis: The bad guys are patriotic Americans of the industrial-political class who want to protect the planet and save lives from the collateral damage of giant robot wars.  The good guys are the perfectly responsible “central government” and well organized communist Chinese Red Shirts who graciously loaned Michael Bay and Paramount Pictures the capital to produce this propaganda. Hollywood eagerly offers blank script pages to Beijing in exchange for access to the mainland. They literally allow the Chinese government to edit their movies to show communism in the best light possible. Murdering Communist dictatorships and Hollywood traitors go hand-in-hand in their on screen socialist Utopia.

Meanwhile back in reality, pro-West protesters in Hong Kong prepare to be crushed under the treads of Chinese tanks, simply for wanting more freedom of the press.

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(courtesy: Bloomberg)

Remember, America = bad. China = good. It’s always the same with the Hollywood left, and getting worse each passing Oscar season. Liberals pretend they care about “democracy,” but all they really care about is the Chinese money to make their box office flops and the cheap labor needed to earn their royalties.

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Breaking Godzilla

Posted: April 27, 2014 in Uncategorized
Tags: ,

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 Another bad batch of crystal meth? And some dinosaurs ATE IT ALL? Oh NOOOooo!!!

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Bryan Cranson and the Bad Actors Guild to the rescue.

Just look at these pathetic Godzilla (2014) trailers. It has cry baby liberalism all over it. Hollywood fucks things up again with yet ANOTHER environmental disaster yarn spun for the simple minds of liberals on drugs to feel guilty about. The premise: Godzilla shits all over South East Asia because man has disturbed his sleep with all our silly technology and civilizations. Shame on you mankind. Let sleeping monsters lie and stop all your fracking and drilling for oil to sustain your 21th Century lifestyle and George McGovern-lite democracies. Top this movie off with the other half of the anorexic Olson twins alongside the fruitcake from Kick Ass, and you got a movie that smells like Godzilla’s dick.

Imagine a British puffer pretending  to be a bad ass US Soldier of all things. Keeping his mother’s married name, nobody nothing actor Aaron Taylor-Johnson pulls off his best/worst performance since 2008’s Anus, Thongs, and Perfect Snoggings. It seems even the Brits have their fair share of piss ant child actors, many of which are now being deported thanks to Russell Brand and his ilk.

There is nothing left to say. This movie is rehashed, crybaby horse shit. 15 minutes of the same old CGI action and over one hour of weepy touchy-feely garbage. Hollywreck has been using the same mold for the last 20 years, with the same actors playing the same roles, still sucking, still playing in the same character they did in the Boring Identity and other disaster movies. At least Pacific Rim was fun; mindless but fun and full of action. This Godzilla rehash is the typical shit they wanted to be.

 

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Malcolm, it’s time to cook some crystal meth. 

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The National Weather Service is looking for a few good men. Be a force of nature.

Celebrated atheist Darren Aronofsky turns the man made global warming panic into something biblical- minus any mention of the word “GOD” in the entire 138 minute running time. This movie has every single run into the ground cliche’ from 2001 thrown at us: Anthony Hopkins as the bland old sage whispering words of wisdom that have no meaning. Grisly Ray Winston growling like the same British mobster he plays in every single movie. The fruit cake kid from California who can’t act if his life depended on it. And we have poor ol’ Russell Crowe trying to squeeze some muscle from his fat gut, collapsing on his whispered script lines we’ve heard repeated since 2001. Back to Ray Winston for a second. How many out of place Cockney’d accents does a movie need to make it totally suck? They couldn’t get one voice coach on the set and get these fuckers to sound like they all lived in the same century? Topped off with Logan Lerman speaking in his Valley Girl dialect? No wonder God wanted to flush this turd. What, no Wanda Sykes to spruce up the ancient regional language? Noah surely brought monkeys with him on the ark.

 

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Noah 2014 is as bad as his Robin Hood Men in Depends (2010). Marketed to the Pope and bible thumpers alike, while at the same time promoted as an “environmental disaster movie.” Yes. It is a disaster. Not because of the story. Not because of the Biblical setting. Not because some Godless communist atheist Jew directed it. This movie is bad because of the actors. They suck. There isn’t one actor/actress in this garbage that doesn’t sound and talk just like they did in the previous shit they were in. They all have lost their acting chops. The have no substance. Perhaps that was intentional for the Hollywood socialists who want to dumb down The Greatest Story Ever Told.

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Warning! Contains Spoilers…but how does one spoil something that is already rotten and full of shit?

Reprinted Breitbart movie review of Liam Neeson anti-American flick Non-Stop (2014), starring liberal mudshark Julianne Moore, and friendly Islamist pacifist Omar Metawally.

On an international flight over the Atlantic, burnt-out alcoholic flight marshal Bill Marks (Neeson) is hoping for a nice easy flight in first class where after sneaking a smoke and drink he might even be able to catch a little shut-eye. A text message informing him that one person on the flight will die every twenty-minutes unless $150 million is wired to an account, ruins that plan.

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Counting pilots and crew, there are around 150 souls on board. Marks has 20 minutes to figure out which one is the bad guy. Red herrings abound. Is it one of the many actors whose faces we recognize but names we can’t remember? People start to die. Marks is fingered as the hijackert. Who’s doing this? Why are they doing this? What is their motive?

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Here’s the answer:

It turns out that the villain is not a hijacker but a terrorist — someone who wants to murder everyone on the plane to further a political goal.

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Innocent bystanders.

You ready…?

The terrorist is a 9/11 family member. Yes, you read that right; the terrorist is a 9/11 family-member who lost a loved-one in the World Trade Center on that terrible September morning.

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Typical terrorist: American schoolteacher who believes in the US Constitution, capable of bringing down an airliner with duct tape and a bible.

It gets worse…

After 9/11,  this 9/11 family member-turned-terrorist then joined the military but found himself disillusioned by the pointless wars.

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And now…

The 9/11 family member-turned-terrorist is upset because America hasn’t done enough to ensure there will never be another 9/11. And so he figures that if he can get an air marshal blamed for a terrorist attack, America will wake up and anally probe us before we’re allowed on a plane, or something.

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It gets worse…

The villain’s sidekick is a member of the American military willing to murder 150 innocent people for a payday.

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It gets worse…

The one passenger on the plane who is forever helpful, kind, reasonable, noble, and never under suspicion is a Muslim doctor dressed in traditional Muslim garb including a full beard.

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Screw you, Hollywood.

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(Courtesy: John Nolte, Breitbart)

The Walk of Shame could not have said it any better: Fuck You, Hollywood Buttfuckers.

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Meanwhile, Clinton hangs out with prostitutes at the premier of ‘Non-Stop B.J.’s the Squeakquel.’

IMG_6643  Joel Kinnaman in RoboCop.

2014’s RoboCop is God awful, rehashed throwback tripe. Hollywood has run out of stories and this crap has everything you hate: Samuel L. Jackson hooting and hollering as usual, plus the random Jew homage played by Jay Baruchel. Screenwriters don’t even take the time to explain Jackson’s presence in the movie as he plays an undefined Bill O’Reilly talk show type character; Jay Baruchel is there simply as down payment for Sony Picture’s Jewish investors. A movie just isn’t a movie without a loud mouth black guy and a whiny Jew. Hell, the same formula has worked a million other times, why not just do it again?

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The evil corporatey corporation corporate rich bad guy Micheal Keaton is as beady eyed, pursed lipped and uninteresting as ever. Keaton has probably never had a single day of acting class in his career. His shtick is as is tiresome as his face, kinda like watching Dana Carvey doing his 30-year old impressions on the Tonight Show. SUCK.

The Hollywood liberal is the most narcissistic creature on the planet. They take the easy way out by aligning themselves politically with the Left simply to avoid criticism. They champion the most banal causes of the Democrat party, even those they know absolutely nothing about. They root for society’s losers and promote the worst behavior known to man. The Hollywood liberal cannot take personal judgment; therefore they stand with the socialist scum destroying our country. We all know the Conservative is typically not as outspoken as the bellyaching Left. The Conservative is not prone to attack those they disagree with, unlike the rabid Leftist. The Hollywood elite crumble at the thought of ridicule and disapproval. That’s why they circle themselves with the sorriest pieces of shit in human history (see Jack Black and Russell Brand).

The Conservative believes in a live-and-let-live philosophy and knows there are consequences for every action. Republican actors are impugned for their traditional affiliations, while the Hollywood drug addict is elevated to nobility status.The Hollywood Left preens themselves in the accolades of the brain dead who can’t think one minute to the next. This is why they give themselves awards for doing nothing and celebrate an AIDS infected lifestyle. They play it forward through the drug culture.

Before the devil knows you’re dead, Hollywood will pay you to get really deep into character.

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Phillip Seymour Hoffman 1967- 2014 

Hollywood mourns the loss of another heroin addict burn out they helped create. Hoffman, supporting actor in such movies as the 2002 love fest Red Dragon, was found dead last week of an apparent drug overdose. Authorities say enough heroin to kill Mötley Crüe 10,000 times over was found in his New York studio apartment.

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Phillip Seymour Hoffman prefers cremation over interment.

Hollywood and the media has spent the last few weeks making Phillip Seymour Hoffman not only a victim, but a hero. The NYPD has been Fast and Furious on the case to find Hoffman’s drug dealers; not so much on matters of national security. No emotional  mention on TMZ of our recently assassinated Libyan ambassador or murdered US Border Patrol Agent Brian Terry. Nary a tear drop by the Hollywood elites for true American heroes, yet they have lined up in droves to give their condolences to a fucking drug addict.

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Nothing like some good ol’ torture porn to whet Hollywood’s appetite for destruction. They even target little kids with marketing schemes containing adult innuendo, starring those who attend the funerals of fucking drug addicts. Wonder who will be on the Hollywood All Stars A-List at the Jack Black cremation? Who will hire Russell Brand to voice over another child’s movie? Do they get paid in smack or do they just give it to them for showing up?

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Silence of the Legos

Hollywood’s latest incantation, The Lego Movie (2014)  further attempts to destroy yet another precious childhood commodity: Innocence. With voice overs of several Hollywood rejects, this Toy-Come-To-Life is advertised as “not just for kids.” (Courtesy NPR) According to the Hollywood Reporter , this “family movie” beat the George Clooney liberal montage ‘The Monuments Men‘ and the rehashed teenage ‘Vampire Academy.’

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The Legos cast includes Chris Pratt, Will Ferrell, Elizabeth Banks, Will Arnett, Liam Neeson and of course the wise old orangutan sage Morgan Freeman.

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The Legos: Return to Benghazi (2015?)

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I, Frankenstein, starring Al Franken sucks the big green one at the box office. Let’s just call this crapfest yet another vehicle for Bill Nighy to play the uptight supernatural British adversary sharing the stage with yet another overrated American actor. Hollywood thinks skinny old white Anglo Saxon men and their articulate use of the English language are the universal bad guy. Filmed in Australia, this dud is a waste of time even to watch it flush counter-clockwise.

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Seen it. Downloaded it for free courtesy of our Russian friends, their shaky cameras and loud movie theaters. Got 10 minutes into it and deleted it. Frankenstein and His Daddy, coming to a bargain bin near you.

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Thank you for not smoking.